70's era korg univox sr-120 drum machine driven through gap-pre73 preamp sent through joe meek c2 optical compressor sent through aphex compellor compressor, limiter and aural exiter, recorded via sony pcm-d50. I think the univox is broken because i can't get any other sounds than tom-toms and claves from it.
Sounds made with the legendary vcs3 synthesizer in the lindblad studio at gothenborg academy of music and drama, 2011. 11. 06. The charactere of the sound is like a bouncing ball.
Hybrid virtual analog and analog mixed together through a behringer mixer into an mpc 1000. Light effect send to warm it up a bit. Doesn't sound like strings, thats just what i was going for, but this is where i ended up. Enjoy44. 1k, 16bit.
Created and formatted for use in the make noise morphagene. Released in 1985, the casio sk-1 was a battery powered sampling keyboard that has become something of a cult favorite. We have reformatted its classic built-in rhythms (as well as their fill-in variations) as a reel of splices for your morphagene! download them today and transform them into something new!. Http://makenoisemusic. Com/modules/morphagene.
Samples of the legendary boss dr-55. These are one-shot samples of the entire boss dr-55 drum machine. This is a vintage analog drum machine, and every recording of the circuit's output is unique. As such, i believe recordings of the machine to be freely distributable. No harm/ financial gain is intended by this upload, only love! enjoy!.
Drums, machine glitches, analog rhythms, bells, randomized metallic percussions & sfx. Aalto demo track of the soundset called detailed machinery. More info here:http://www. Zensound. Es/soundsets/aalto-detailed-machinery/.
Sounds from barton musical circuits dual logic going though doepfer a-101-1 vactrol vcf. Dual logic is modulated by bartons 2lfosh, via bastl-instruments tromsø. The vfc is also modulated by 2lfosh. The other sound is from alm pip slope in loop mode and modulated by a nonlinearcircuits single jerkoff, with an injection of cv from 2lfosh.
Short melody performed on a moog grandmother with the spring reverb turned pretty high which is what the dissonance between notes. It was recoreded into ableton live 10 using a focusrite 2i2 audio interface at 44. 4 khz in dallas texas on a rainy night.
A straightforward pattern made in the lmms daw, i used the analog bell preset with a delayed, pitched-down arpeggio of sorts. Over time, the tempo increases, from about 50 bpm in the beginning, to 150 bpm in the end.